Keeping the memory of a city within reach

Coat of Arms began with a simple observation: a city’s emblem can hold centuries of local identity in one compact image. Yet these signs are often passed without being seen.

We work them into copper so their lines can be encountered again—as relief, reflection and patina. The slow process makes each piece both an archive and an original surface.

The edition of ten is intentionally small. Numbering records scarcity, but also relationship: each work belongs to a family while carrying marks that are entirely its own.